Why Do We Shoot Film?

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Why do we shoot film? ⠀⠀ ⠀⠀ How can you really explain the answer to that question when it involves so many emotions that are best experienced rather than explained? When your reasons are mixed up with wanting a camera you can own for decades, adventure with, grow old with, accumulate scars and stories with. Or involve owning a camera that stops people on the streets, or the trails, or even next to you on airplanes to remark upon the mystery or curiosity of why you are carrying that weird/interesting/cool/antiquated device with you. Reasons that include having your repair tech look askance at you because your camera is so heavily worn, so full of detritus and debris from trips through forests, up mountains and to the edge of dry land... so well used... that they think you should just replace it. ⠀⠀ ⠀⠀ But you don't.⠀⠀ ⠀⠀ Because you know that unless they have stood on a sun-drenched beach watching the world through the viewfinder of your camera, as you have done on countless other occasions, feeling the comfortable and familiar weight in your hands, relishing that connection of a camera who is also an old friend, that they will not quite get it. It is no fault of theirs. As said, this is something that one has to experience to understand. But when you do, then you realize nuances of the answer to that question. Love cannot really be explained, after all, not so simply.⠀⠀

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Well said Blue Moon Camera.

Self Publishing

What up folks? I haven’t posted in a while, but I have been creating. I’ve self published three zines of various projects and I’m hooked. The first zine Cabin Life was a simple test using Blurb. The photos in Cabin Life document a trip to the mountains this winter with my family and close friends. Litrato is an ode to the picture magazines of my youth like Time, Life, National Geographic . Litrato in my native tongue Tagalog means photograph or picture. This will be a serial magazine I hope to publish every 3 months or so. The last zine titled Los Angeles Times is made up of street photography from a trip to Los Angeles with some good friends of mine from D.C. whom I met back in the day on Flickr, yeah we old school. Every year we take a trip called the Brotographers Retreat with the goal of reconnecting and making images.

Shooting with intent has changed my photography and allowed me to focus (pun intended) on what truly matters...what’s in front of my camera. I want to move on and evolve from the single image to a narrative, telling stories. We’ll see how this goes.  


Inspo: Daniel Milnor

I’ve gotta love / hate relationship with Instagram. Very few photos nowadays make my thumb stop mid scroll, all the photos…errr…I mean content looks the same. Influencers and wanna be influencers chasing likes and followers. But at the end of the day, Instagram isn’t a photography platform, it never really was. It’s a communications tool. Let’s call a spade a spade. Maybe that’s my issue, content creators passing for creatives…or dare I say photographers.

But every now and again there are voices on Instagram that I want to hear, and their work I want to see. One of those people is Dan Milnor. Dan is a creative no longer in the photo game so to speak and a straight shooter. He doesn’t take himself too seriously. Dan is always trying to find ways to stay creative, or seek creativity. I can certainly relate. He also lives in both in the film and digital world, lusting for his Leica and Kodak Tri-X, while appreciating the benefits of the mirrorless Fuji X system.

It’s post like the below that keep me coming back to his feed and blog.


Inspo: Gordon Parks

Gordon Parks is the main reason why I picked up a camera. My very first photography website, 93 Autumns, was a homage in a way to Gordon Parks’ “Half Past Autumn” His photography American Gothic remains one of my favorite portraits….photos of all time.

American Gothic,  Washington, D.C., 1942  | Gordon Parks

American Gothic, Washington, D.C., 1942 | Gordon Parks

I was so bummed when I was in D.C. last month that I wasn’t able to visit the National Portrait Gallery to check out the exhibit: Gordon Parks: The New Tide, Early Work 1940–1950 because of the government shutdown. Thanks Trump.